blasting off the a-side is >gravity<, a high-tempo number picking up linear momentum verse after verse, featuring serious vocals by g-tech. on the flip, cari goldens soulful vocals chime in and out of the expressional >no one knows<. safeword, a magnetic duo comprised of clint stewart and marc smith from san francisco, remix >gravity< through heaven and hell as >sunset< delivers a calm and spiritual opening piece slowly easing the listener into >tenderloin<, a dark, grave track with subdued vocals and feeble beats.

justin berkovi delivers 2 heads down mid-tempo techno dance tracks for his art debut. clean, crisp production with thunderous low end characterise both tracks. the title track drive delivers its power via modulating synth stabs, whilst when i throw down commands the dancefloor with its demonic vocal. a classic label debut from one of technos most loved producers.

magic wire label head lone picks another smasher, aptly titled delirium tremens, from the elusive neon jung with a suitably precise re-edit from nathan fake on the b.side, fresh after his last remix for radiohead. delirium tremens takes on flavours of garage, soul and psychedelia and glues it all together with an armour plated, mutant electro backbone designed to make the dancefloor lose it for 4 minutes but still keeps the soul firmly intact. its another demonstration of neon jungs ability to take influences from many genres and join the dots to create something fresh, but with all the right reference points to make this accessible to everyone from your backpacking beat head to the hardcore club frequenters. the bass in the first drop of this track is just berserk – theres no other word for it. the b side sees nathan fake up the tempo but draw it out, making this perfect for the more patient crowd. it has nathans signature beat all over it – it rotates, swings and soars gloriously until it finally ends in a warm afterglow, complementing the original perfectly in its grower not a shower approach.

megadon betamax as we have come to expect from the megamax, falling is all analogue warmth and big bottom boogie love. this mid- tempo track is laced with lush synths, ethereal soulful vocals and a twinge of surf guitar. dj raw sugar goes deep with a dusky, dubbed out remix that will have every head nodding. a megadon classic from vr002 is revived by austrian talent lesale, who turned in a version of he cant love you that couldnt be ignored. sweet sweet sweet!

photonz have taken no prisoners in 2011. following their dancefloor destroying third release on one eyed jacks alongside tiago they up the heat yet again with a first outing on dont be afraid. spectre is surely destined to please fans of oni ayhun, joy orbison, and other forward thinking house music producers alike with its jaded xylophone hooks and cold as ice groove. wall is a slice of trademark photonz portuguese acid, an infinite groove that builds and builds. dokos is a more downbeat, tracky number which will slot nicely into the sets of djs who favour the old school house sound of chicago and detroit. prometheus catches the pair at their most experimental, upping the tempo and unleashing an ambitious techno juke roller which is as much machinedrum as it is the sound of 1990s techno circa pacific records and plink plonk.

the latest release on metroline takes no prisoners. clio brings it big. every track on this ep is loaded, primed and ready to fire. lead track poem does big the george clinton way. basslines cranked to funk, tempo raised, and drum tracks set to attack. sinister and sparse percussion gives do it an entirely different feel. but under the tune’s brooding atmospherics is an equally powerful rhythm. fired by a growling sub-bass that whoomps out of the speaker like a sonic weapon. killer. speaker-busting bass and pumping kicks are the order of the day on the flip. carlo lio’s remix of do it thunders along. built for dancefloor shock and awe, this track’s built like a tank - unstoppable and ready for combat. the massively in-demand sasch bbc and casper go intergalactic on their rework of poem. this is the tune that plays in hal 9000s head. epic, deep and serious, with a healthy dose of paranoia. careful this one doesnt tear a hole in your space station.

limited edition heavyweight 180g 12 inch vinyl.
once again, another heavy release from the french upcoming label clekclekboom recordings. this one is a pop/club influenced 2 tracks produced by ministre x, the franco-brazilian deejay and co-founder of the label. a very sensual femalish ep with two lovely guest singers: sana and romy. the first track >calling me< featuring the fresh and lovely sana is full of delicate and suave soul vibes mixed up with sophisticated club beat. the second track >just to please ya< featuring mademoiselle romy, takes us to a darker side of emotions, with subtle vocals and down tempo instrumental full of slow and heavy sub-bass. this 2 track ep will take you to the sensitive side of this eclectic label. grab it asap!

pressed on heavyweight 180gr vinyl with picture sleeve. flights of fancy vol 1 is the start of a new series showcasing what, through our ear dimension filters, balearic sounds like.

following a pair of fine releases on fine art and under the shade, james johnston delivers another superb ep for no matter what. >after everything< is a masterfully created slice of rolling deep house flirting with disco styles, punctuated with snippets of disco guitar licks and dubbed out vocal samples, all held together with a sumptuous chord sequence. the comparatively upbeat tempo rhythm and deep subs of >lost the house keys< which follows comes as something of a surprise, and the chopped up piano which causes the track to erupt into a flurry of jacking rhythms only add to the proto-chi house mood. the rest of the tracks continue with the same kind of upbeat pace, with >get back to the feeling< interlacing a variety of female vocal samples within its 909 rhythms, and >xtc< injecting some serotonin into the ep with its razor sharp synth stabs and snares, whose rhythms recall the deadly precision of marc kinchens early productions...

the see it through ep is the debut release from kris le vay. the eponymous a side is the most dance floor orientated track, with kicking drums and a driving, melodic bass line guaranteed to get the crowd moving. its also an awesome headphone experience, with involved, complex percussive elements that keep the ear interested and euphoric breakdowns that truly pull at the heartstrings. the b1, entitled melt, is a cheeky little number that bounces around with plenty of polyrhythm. the counterpoint between the deep bass and twinkling top melody leads to the unconventional, yet mesmerising breakdown. the release is rounded off by one hot ride, which is one hot track! starting with ominous dark synths that spin themselves into a stomping hip-hop tempo beat, this anthemic rich blend of sound winds itself up from a menacing introduction on an exhilarating journey through a complex and intricate soundscape. limited to 300 colour vinyl.

the third release on the exquisite pain vinyl is a various artists sampler in which we are exploring a few genres of house music .3 tracks on the menu with >cosmic luck< by duff disco (join the dots) . duff disco delivers a pure masterpiece smartly blending between deep house & nu disco . then we have eddie c (endless flight) taking care of remixing good guy mikesh & filburts >gold snake< which is a pure piece of music . eddie is upping the tempo turning the track into a true dancefloor weapon . finally we have sasse (moodmusic) & james flavour (dirt crew) remixing alain ho & alex arnouts >your love< , a real belter for every single deep house lovers

early edit of 5 kin s in the very natural heritage/memory of ron hardy. absolutely essential cut,tempo switches manual fixes & reloops,hitting and still making you to want more. reminiscence, core and essence of house music in its purest form. detroit an instrumental edit of b-oogie on high filters wheels only available at the demf. juicy edit. here, cores for spin updates the original edit to current feedbacks while still remaining porny dancefloor roller boogie at the same time 5 kings - j: no need to see a video of terry hunter hammering the track to thousand people. this track receives massive support by big djs around the world and delivers quality time to every field. xxx - sensuous black: zodiacal and mythical impossible to find cut that farley was riding in 1986 -no shit- noticing on vinyl we can go frontal nudity, not like most digital distribution structures.

two new house tracks from la electronics master, gifted & blessedb!
second outing on the label from las gb (gifted & blessed), this time on 12 inch. following on from his recent provider 12 this is another great showcase of his ever-developing sound styles. 2 tracks here with >7 in 24< a dense 808 led up-tempo workout with a hypnotic groove while on the flip >dogon< is a techno-electro hybrid with a nod to the pre-millennium motor city sound.
the rest of it is all city standard - full one off colour art – this time from brightons roid (msk).

new years deal - more berlin, less monacco. thats the ethos of the new max essa project, jan ken po: less sun, less sea, yachts and money, more twilight hour, basement clubs, up-tempo rhythms and dance floor politics.

kokeshi changes the tempo this time offering two tunes from russias bulb. >tenderness< comes with an 80s vangelis vibe that offers the emotional aesthetic that kokeshi is known for. with its non 2 step beats it wont be recognisable as drum n bass despite having the same tempo as most d n b tunes. for the djs, catch the flip side which offers a dance-floor friendly yet uber deep feel from the d n b tune >heartless<

from the estrela archives of exactly that period comes the original, which was crafted by portuguese calapez at the time, as well as the newly edited pyjamas remix. calapez builds the theme monkeymonkey on top of a playful piano roll and swinging beats – simple and pure. with a wink the pyjamas remix carries that approach and the minimalist melody on, while adding a nice portion of acid. but the absolute highlight of this release, as already alluded in the incoming quote is definitively the more than cutting edge house remix of sacco vanzetti duo. funk, power, tempo and lightness: its got the ground formula to spin itself into the perpetual hunting grounds of the absolute house purist.

human woman is the new signing on hfn music, made up of two very promising artists from iceland, gisli galdur (aka galdur) of prolifi c icelandic band trabant, and producer jón atli helgason (aka sexy lazer). coming together in the studio the pair have forged a fantastic fusion of modern electronic pop, with their debut single, ‚delusional‘. the ep release, which will be accompanied by a music video, serves as a teaser for the upcoming debut album, which is planned for spring 2012. taking influences right across the board, the duo have cooked up a sensual, catchy indie-dance track that’s pleasingly reminiscent of the 80s, yet carries a great modern sheen thanks to the production skills of human woman. cinematic, feel-good music for travelling, for friends, for living! denmark‘s wonder kid kasper bjørke is fi rst to get his hands on ‚delusional‘, introducing a straighter groove which leans more towards the slow-housedisco fraternity in this slow-cooking remix. berlin‘s vincenzo then takes it even more cosmic with a bass heavy club mix that maintains the slow tempo yet elevates us to a more hypnotic plain. clean, pure elements greet us in this luxury remix from the emotive house master. zev from wolf & lamb then has his say with his ‚brooklyn beatdown mix‘, breaking up the beats and tripping things out with some real old-school new york vibes.

mysterious white label dubs of an as yet unidentified artist by the omnipotent 6th borough project. three versions to choose from ranging from the mid tempo a side through to the peak time house dub and back down to the aptly named udder dub

pillow talk continue to impress with their unique body of sounds on the latest wolf + lamb release. masters of weaving a variety of styles and influences with sumptuously nostalgic live vocals, this debonair san fran trio is fast becoming a prolific force on the global scene. its difficult to pigeonhole the pillowtalk sound since its purveyors are such experts in playful eclecticism. shifting the tempo and joining the dots from retro soul leanings to deeper electronic, pillowtalk is a melting pot of influences and voices that takes you on a new ride with each sonic wave. bursting with original vocal flair, the far from heaven ep is a steamy four-tiered affair, between the sheets and under the disco ball where tales of lust and desire unfold to soundtrack of 80s sex music and soulful house.

limited edition of 500 heavy weight 180g 12 inch vinyl.
landing as the second release from the new french label clekclekboom recordings, young newroller coni drops us sensitive, deep but yet powerful tracks with sensual rnb reworks that would make any female moan. combining groovy sophisticated house and naughty/soulful bass on the lead track >luz in pool<, the parisian takes us to a delightful journey where you will be losing yourself. on the flipside, >suma< is mixing up an uplfiting 90s rnb vocal with a very effective uk funky drum line. the laid back g-swagger >crush< favoring a modern half-tempo 808 rhythm with a sweet subtle voice adding to a haunting purple synth coloration. this 3 track ep is full of heaviness and is already listed as favorite by many established big names. this number is not to be missed!

kowton and tom dicicco, residing in bristol and manchester respectively, make very different music from one another. kowtons seems to come from house, perhaps also electro and garage, often quite slow in tempo and hard to pin down to a specific genre. toms music is techno, bass heavy, melodic, textured and rooted around 125 bpm. with these distinctive styles the idea of a split ep might seem ambitious, but the result is four cohesive but different tracks that show the talents of both artists perfectly in the format of two originals on one side and two remixes of each others originals on the other. tom diciccos original is driven by a low-mid range thick stab and pounding kick drum, littered with intricate but not overbearing hi hat and snare work and some very atmospheric mid range. kowtons is subtle and sparse, low fidelity and plodding, with rattling percusion carrying the tune along. on the other side of the record, kowtons remix of toms original is driven by an enormous bassline, with an off kilter dubby feel to the slow tempo and genre defying tune. toms remix of kowton rounds off the ep with a return to stab driven techno, pulsating, dynamic and trance inducing.

>he mentioned he was a house head, something about being old school<henry maldonado knows a thing or two about dance music. having made his mark in the 90s on strictly rhythm and maw, the new york native more recently delved into disco endeavors, both as one-half of native underground on wurst and under the shade, and also solo as son of sound on tirk, and now mystery meat.spirit catcher is peak-time filtered disco house action of the highest order. punchy drums, a huge bassline and massive floor-filling vocals do the damage every time. she rides takes the tempo down a notch, bringing that electro funk vibe you know all the kids were poppin and lockin to way back when.thanks in advance keeps things firmly in the 80s with affected female vox and killer arpeggios aplenty. mmmm, the meat sure is tasty this week!

following vincenzos astonishing recent album, >wherever i lay my head<, which really elevated the producers status into the stratosphere, we continue the story with three new remixes, from cult legend tom middleton, smooth-talking newcomers genius of time, and talented uk-based mic newman. tom middleton, who needs no introduction as the legendary producer behind such classic projects as the jedi knights, global communication and cosmos, hands in a modern deep techno remix that shimmers with melody and dubbed out echoes of the original version of >sometimes saturday<. leaning towards epic, with moody old-school synth builds set against contemporary punching bass tones, it certainly doesnt disappoint. swedens maverick slow-housers genius of time rework vincenzos >106 downtown< which is also a work of genius in its own right. the boys add sensitive, detailed down-tempo beats with some wonderful warm swirling vibes mic newman transforms >hello!< into a crafty fresh tech-house groover with his dub remix. floating, ethereal synths mix with bubbling acid and liquid beats in this seriously smooth and complex mix.

supported by: alex agore, skipson, roman rauch, marquese, drei farbenhouse,ynks second ep for tenderpark approaches the subject tenderness with a lot of feel for musicality: on dana limes the young man from frankfurt combines gentle piano melodies with multi-faceted, powerful rhythms and a feld recording the musician has recorded in helsinki.park theme relies on an even more subtle feld recording from a small park in vienna, slows down the tempo and delights us with a deep black bass groove.and with the piano piece etude ynk not only proves his love for this instrument once more, but also shows compositional skills which reach way beyond the standards in the electronic music scene.

>call me< is a welcome dose of precisely what we all need right now: a brilliant ray of sunny electro disco to warm up our winter dancefloors. dj nibc, the berlin-based, gothenburg-born dj, producer and trunkfunk records label owner has joined forces with fellow swedish house cat patrick l for a collaborative effort that offers a fresh, playful and breezy take on deep disco grooves. the dj nibc mix rides a languid summer afternoon tempo, accompanied by shimmering light beams and sweet synth chords, rising to a peak of uplifting strings and soulful vocals that weave around the tracks core retro melody. the patrick l mix gives the full polyphonic treatment, shifting the filtered strings to the intro, intensifying the bass, and using subtle punchy cut-ups in contrast with patricks crystal-clear vocal treatment. fellow swede tiger stripes completes the trio of countrymen, with a tiger stripes remix that moulds the track into an urgent dancefloor cut, emphasising an irresistible bass melody, a thudding kick drum, and classic house stabs of synths and voice. londons newest simmering hot creations signee funnels even more sunshine into his rework, as the crea albas lost soul remix splays out the the tracks high hats and fills all available spaces with arcs of retro synths and cosmic reverb.

nanotek joins the subdiv fam with a track that has all the twists and turns of a lynch film laced with the tempermental edge of mark chopper read on a comedown. venus is truly subviolenz.on the flip and only because there always has to be two sides of a story and the story being machinecode and nanotek is devestating. aptly named nanomachine this reduced tempo beast really grinds your soul out of ya bones back in to the mechanical furnace. supported by every rotten filthy floor destroying subhead known to man and machine. the future is violenz!

title track >lasers are forever< combines arpeggiating analog squelch, lush synth atmospherics and subtle percussion sequencing to lend itself an uncommon sense of drama, the effect of which is both compelling and visceral. on the flip, >hello darkness< takes a somewhat different approach: an imposing arp 2600 bassline pulses along front-and-center with a relentless acid-tinged snarl, while pounding drums and swelling pads complete this most banging of danses macabres. on remix duties are throne of blood alumni remain & mlle caro, who retain the key elements of their source material only to reveal an entirely different beast lurking beneath: the parisian duo take down the tempo a few notches and let swelling analog filters and unfurling lfos do the rest. meanwhile, get the curse music boss clement meyers deformhaus remix of >hello darkness< tightens the originals percussion to an industrial stomp and introduces a spooked-out synth line every bit as funky as it is uncanny- the end result lands somewhere between the boneyard and the discothèqu

on the a-side we have the cheeky >24 hour party sausage<, where garry takes us back to the sounds of the early 90s uk rave scene. its a peak time old school vocal affair with a raw, analog bassline, stuttered drums and chopped up stabbed vocals. stepping up for remix duty on this future classic is the mole who flips the original on its head and creates a dancefloor creeper for those darker club moments. winding the bassline and metallic beats between the rawness of the original groove and imparting his trademark spooky percussion, rhythms and eerie vocals. b-side >vacation in sunderland< is a love story with a firm salute to the classic down tempo us house of the 90s. its time to dust off those shell suits, high top sneakers and cazal shades and get ready for another slung back, funked out garry todd house jam with growling, rolling bass and seductive vocals and keys. on the remix front fellow illusion family members death on the balcony step up with a classic house masterstroke that compliments garrys slower and sleazier original. here dotb pick up the pace in a brilliantly original rework that accentuates the vocals and piano hook to create a summer house anthem - a stylish finish to another diverse installment from the illusion crew.

part 1 is a oldschool jackin house track with some minimal touch. a peculiar bassline, some good hi-hats and hypnotic vocals. danceflloor bomb! part 2 is a deeper mix of part 1, based on the same bassline. it has a slower groove and a softer kick. amazing second chapter for the supercharged story. nuit blanche is a down tempo track full of surprises. totally killer!

bristols local hero kowton contributes to teals fourth release - the slowly grooving house gem that is dirty little bomb slowly evolves through cold, industrial soundscapes yielding one of the more introvert yet danceable tracks seen on teal so far. the mysterious player rivet reworks kowtons gem on the flipside - cranking up the tempo, layering lush synth hits and shifty groove - power moves!
early support from: midland, shifted, blawan, pariah, xi, dj donga, wncl ...

nice price deal !!! the first release from il bosco aka christian wood aka woody aka crowhead aka nudge! a man of many names he has been part of the make up of manchester club land for many years. he was resident dj at fat citys infamous friends and family night & a recording artist for grand central and aim’s atic records during the noughties. after a couple of years hiatus he’s back out of the studio with four tracks and taking a new direction. the tempo is up and a mutation of old school rave, italo, house and electro is in the offing.

oakland based damon bell curates his first vinyl release with >kush musik wax<. damons productions are always rich with mood, swing, and depth. this release plays on damons archival tendencies as a dj leaning heavily on his influences of dub, jazz, and all things deep. the release starts off with damons much heralded >ezuku< which found its way onto the playlists of rick wilhite amongst others. >idiya< displays damons flair for arrangement as he twists the vibe midway thru landing you in a completely different space than the opening. >kymestry< is an uplifting deep house trip that brought a smile to the face of ron trent while at the deepblak studios. closing things out is label head aybee with a deep mid-tempo dub of >ezuku<.

part iii boasts contributions from portland, oregons performance art and house music group the miracles club (following releases on cut copys cutters label and famed mexican summer), wurst vet nick chacona - here with longtime partner anthony mansfield, and neurotic drum bands ulysses. the miracles clubs >i cant help it< is a heart-wrenching, ethereal ballad set atop a rock solid, chicago house-inspired rhythm section. easily the deepest cut to emerge from the nick chacona and anthony mansfields fun-filled studio sessions, >tase the wizard< is tailor made for desert raves and smoky basement clubs alike. >soular power< sees ulysses at the top of his talents, bringing the tempo way, way down for a slow-burning balearic beast.

the onset of autumn brings this new release from is it balearic..? recordings head boys coyote. featuring the vocal and lyrical talents of gavin gordon, a madrid based singer songwriter who has previously worked with mock and toof. minamoto is the tale of a 12th century samurai beautifully laid over a heavily percussive and slightly psychedelic disco groove. for the remixes, dj steef creates a more dubbed out 4/4 bouncy synth affair. the hardway bros concoct a proper mid-tempo acid house workout fitting for all the more discerning dancefloors. the third remix from shocks is a reverb heavy breakbeat trip into the darker side of hypnotic balearic/cosmic beats. there is also a bonus track el sueno oscuro a beautifully evocative solo flamenco guitar track by gavin gordon.

fright returns after a long absence in which we sought refuge in hades during the hail storm of gothic hysteria that passed over earths minions. some may remember us from the breakthrough debut release from gatekeeper or the unholy italo-techno alliance we shared with antoni maiovvi. now finally, we return, this halloween, with our most ominous mission yet. naum gabo aka glasgows jonnie wilkes (1/2 of optimo) and james savage started their illustrious career with a trio of releases as naum for kompakts speicher series then have most recently gone on to release music on dissident, thisisnotanexit, endless flight, world unknown and most recently optimo music. created and recorded between 2010 and 2011 in their hottrax studio, naum gabo have come up with > the crystal line<, > galena< and > dmitris darkness<. specifically delivered in mind for fright, they keep true to the labels mission of releasing music for unseen films with 3 mid-tempo and certainly melancholic gems that also maintain an unmistakable ng groove for the stranger dancefloors we know and love. an absolute highlight, > the crystal line< is dedicated to the late, great kurt hauenstein aka supermax. superbly cut loud at 45rpm, this epic tribute is what vinyl addicts dream of hearing.

this 7 inch record released by lo fi funk records contains two skweee tracks which are going deeper in the main lines that this artist has been developing in previous productions. poly july is low tempo track with vibrant synth lines built over a minimalist rnb drums base, resulting in an hipnotic beat with pure funky flashes. moon braggin is full of huge sub bass waves, typical of the new club music and crazy, doubled tempo percussion tracks which forms a mental song, with an epic atmosphere made with floatting oriental synthesizers tunes.

hot off the heals of their debut >we hunt buffalo now<, the soft rocks gang dishes out >magic milk<, and utterly sleazy weekend dancefloor monster serving as the second single in the series surrounding their imminent debut album, >the curse of soft rocks<. guest vocals are once again provided by san francisco post-punk hero jorge socarras (vocalist of indoor life and songwriter for patrick cowley). remix duties on side-b are provided this time by washington dcs rising stars the beautiful swimmers. their mid-tempo coconut dub takes the percussive nuances that are deep in the original and made them centerpiece, surrounding it all with loose house instrumentation that oddly achieves a tropical vibe.

above smoke & ernie in a shared hot four tracks ep. ernie starts the fire with >delicious time<, a killer gospel-house song with acid turns for these late night moments. >running< represents the jazzy deep face of above smoke. otherwise, with >grooving you< he ups the tempo to the groove zone. finally ernie closes the 12 inch with >funny break< a tense downbeat experience for demanding gourmets…

the history clock is most certainly alive and ticking with this incredible release from argentinian duo, djs pareja. you may be familiar with some early tracks that they have done for matias aguayos peerless comeme label (their excellent ghetto rhythms, kenia and tribal scream), and this is a perfect follow-up. >psycho rhythm<, the appropriately-titled lead track is a brilliant, mid-tempo, mildly-disturbed outsider house / ebm-shocker, coupled with the absolutely perfect roska / uk funky-esque, tropical rhythm of >pampa room<. a track that joins the dots between the bumbumbox parties of buenos aires, the boiler room nights in london and the boxes of the more forward-thinking djs on rinse fm. balearic music fans will immediately fall in love with >spanish is beautiful< - in both original and alejandro paz (comeme / huntleys & palmers) remix formats.

for his inaugural outing on under the shade, james johnston delivers a deep and heavy house workout with three original belters that all seem to evolve and grow from a slow sauntering groovers into mammoth club rumblers. slow in tempo but huge in delivery all teeter around the lower pace of the house spectrum but as james layers them up all become so crammed with content they bust out at the seems and drive home in splendid fashion. also included is a killer andy ash remix of >there is always time to change< that boosts the tempo and utilizes the underlying disco sample to devastating effect.

produced by close friend black coffee, the original mix provides a suitably deep and meaningful platform for bantwinis heartfelt lyrics about phony relationships and, in turn, his soulfully immaculate delivery. lush afro-edged rhythms lead into smart bursts of trumpet, cool double bass-lines and stirring rhodes solos - a rich musical weave more than amplifying bantwinis performance.
a wealth of stylish remixes skilfully widens wasting my times dancefloor appeal. gallic house sophisticate rocco ups the tempo, cracking whip-smart beats against thumping kick drums and infectious metallic key stabs, as does paris kingpin dan ghenacia, thanks to a fiesty vocal remix and dub fusing gothic mood and jack-happy sass in fine style. ghenacias versions have already, in fact, become a thunderous week-in-week-out staple of his ibizan circo loco residency at dc10 this summer. elsewhere, real tone main man franck roger offers a neat, dubby riff on black coffees original production, injecting sweet balafon melodies and additional percussive pep.
early dj supports and feedbacks by loco dice, tony humphries ame, osunlade, dyed soundorom, d julz, sascha dive, reboot, shonky, quentin harris, jef k, kate simko, miss jools, dj t., dj spinna, seuil, ralf kollmann, jellybean benitez, willie graff, lee foss, nick curly, le loup, sascha dive, and.id, melon, ian friday, matthew styles, laurent garnier, rocco, dj yellow, tedd patterson, robert dietz, dani casarano, magda, anthony collins, konrad black ...

we are very happy to welcome aboard pickpocket!
after releasing the incredible >abah dabah dis< on ppflimited last year, yse returns with a full ep of amazing tracks!
kicking off with slow joe, a beautfully crafted european disco number, which has made a big impact with the balearic contingent lucky enough to have gotten a promo.
on the flip harmonious discord marries a super catchy vocal refrain with some sumptuous mid-tempo house, a delightfully blissed out sunset track if ever we heard one!
finally alpha omega is a massive reggae rewire - the kind of seriously bumping party wrecker mr scruff would be proud of!
300 copies limited edition - vinyl only!

after a series of classically oriented 12 inches with deep debts owed to old school detroit and chicago vibes, remain & mlle caros release stands out as a thoroughly modern model of analog dancefloor ammunition. while >heat< and >rogue< dispense with homage and go for the jugular with darkside intensity, the remixes hand chosen by remain and caro open things up, revealing undiscovered dimensions to the music. holmar filipsson from thugfucker (life & death records) teams up with neurotic drum bands ulysses to transform >heat< into a mid-tempo disco chugger heavy on the drums and boogie bass. populette unleash a late night dancefloor bomb complete with hypnotic arpeggios for their corking refix of >rogue<.

recorded in the immediate aftermath of his last ep >passed me by<, this new doublepack from andy stott features six new productions that are more desolate and exposed than anything on its predecessor. the opening >submission< tumbles into being with layers of washed-out digital revolutions, creating an artificial landscape thats quite at odds with the analogue machinations that follow - yet somehow rendering the alienated feel of this material perfectly. >posers< nudges its way into being abruptly and embeds another squashed funk variant thas all low-lit neon and growling textures, awkwardly shuffling into a more robust 4/4 template suffused with sparkling percussion and disembodied vocals. >bad wires< is the centrepiece of the ep, a relentless percussive cluster*ck that belies its slow tempo with a fearless rhythmic attitude. its as immersive and narcotic as anything ever produced by stott - peeling away one layer after another with each repeated listen. >we stay together< (part one) was the first track written for the ep and offers a more spacious narrative and a more sparkling, hazy palette - culminating in a beautifully frayed central hook thats somehow in keeping with the vhs aesthetic of both jamal moss and ferris bueller. >cherry eye< tumbles deep into a darkened hole before ep closer >cracked< turns up, fuelled by an odd mixture of adrenalin and sorrow to send you on your way.... buzzing and forlorn

b&b makes his debut on foot & mouth. after great success on crosstown, rebellion & hot creations, this hot new producer drops the tempo and creates four killer r&b inspired edits. perfect for that end of summer vibe. using some familiar hip-hop licks to great house effect these edits are sure to be huge.. rock them like their hot!!

polluted records imprint of sinan kaya release, polluted015, is having a great support worldwide. the istanbul based producer what does best is to consistently release forward-thinking and interesting electronic music the treatment of vocals and synthesis, over-loud snares or brutal use of eq, rides over formulas without forgetting the dance floor. funk and pure house music sound is one of the influences on all the 6 tracks with the mid-tempo drawl flowing through the project. playful grooves and natural soundscape evolves through this ep for full 12 inch release with a celebration of classic guitars and deep synth melodies beautifully layered on deep house infection with solid drum programming and groovy base lines. it all flows like a come back of old skool deep house for today current sound request on the dance floor.

moving through the worm hole, a track materializes at each stop offering emotive tunes that pull at your senses. alexander shows off his skills as you travel into four different universes encompassed within four house yet techno musical adventures. white rhino (deep down beat down) - begins the journey with an up tempo banger in which the bass syncopates ever so nicely. a message about the white rhino insues quickly and more synths come to take you on a space age trip. transcend - smooth synth line with a deep kick, leads us to gritty yet soft pads that build and build as vision of stars are created by waveforms. deep within - bassline and melodies blare out as the beat pulsates, and out of no where a voice comes up from deep within the darkness. the abyss - ending the journey is a super deep tunes that relaxes your mind, as you go deeper and deeper with the bassline, chords, and vocals…

tom giles previous twelve on modern soul saw him flex his muscles as a producer of sample-based wonky disco. this latest release, however, shows him stepping up to the challenge of crafting heavy boogie gems from scratch – with not a sample to be seen. the 12 inch kicks off with colour theory, a memorable mid-tempo number where crisp snares cracking between a lithe synth-line and a funk-bass backbone, featuring alex farrell of the london afrobeat collective on guitar. its a boogie daisy-cutter, packed, primed and ready for dropping on discerning dancefloors.

>mr. saxobeat< is a single by romanian recording artist alexandra stan, released in 2011. the song was a success in romania, remaining at number one on the romanian top 100 for eight consecutive weeks, being the longest-running #1 in romania in the 2010s. the song is stans third single from her upcoming debut album. the song has became her most successful single to date and her first to chart outside of romania. >mr. saxobeat< is an up-tempo eurodance song with house elements. the song contains a love message, where stan speaks of a man she is attracted to and the way he makes her move. it has charted in many countries across europe including a number-one status for many weeks in the italian singles chart, in denmark and in slovakia and within the top ten in other sixteen counties. this includes a peak of number-three in the united kingdom, the highest charting record by a romanian artist in the uk. outside europe, the song peaked at number twenty-five in the canadian hot 100, at number-thirteen inside the us latin pop songs and right on the top of the us hot dance airplay chart, being the third romanian act to do so, after inna and edward maya. it is also a current hit in latin america. so far the most popular remixes are not available on vinyl anywhere, so for your playing pleasure we bring you 5 hot remixes along with the original version for you to spin! be the first to grab a copy!